This is an extract from Pop Matters which reads like something out of a John Hughes movie or Nick Hornby’s High Fidelity which is probably why it gets the nod.
Pop Matters Picks – The Best Indie Pop 2008 by Dave Heaten [10 December 2008]
There are many bands making music by their own means, on their own terms, enough so to be labeled “independent”. But in today’s music-industry climate, what does that independence mean?
Lately I’ve lost patience with the insatiable hunt for groundbreaking new sounds. Maybe it’s because I turned 35. Or maybe it’s because I witness so much innovation-hunting among music fans that I’m thinking more than I used to about how most of these ‘earth-shatteringly new’ bands don’t seem all that new. And when they do sound like nothing I’ve heard before, that isn’t always a good thing.
I live for new bands, for keeping up with music on a ground level, where people are making music and packaging it up themselves, or having friends do it. There are many, many bands making music today by their own means, on their own terms, enough so to be labeled “independent”. But in today’s music-industry climate, where a record contract isn’t as valuable or even necessary as it once was, what does that independence itself mean? What does it tell you about the music?
In 2008, I’ve found myself again gravitating to bands not because I perceive them to be revolutionary, nor because they’re hip, and not even just because they follow a DIY path. I find myself gravitating to bands because of their songs. I find myself once again in awe at the craft of building a pop song, of thinking up a melody, writing some words, and singing them so other people can listen to them obsessively, get to know every second, share them with friends, bring them along on road-trips, put them on during breakfast and lunch and dinner, and linger over them when they should be sleeping.
That isn’t to say that the 10 albums I chose as my favorite indie-pop albums of the year don’t possess a sense of style. Each of the 10 is an album with its own personality, its own way of speaking, made by a band that has built its own unique approach to pop music. Style goes hand in hand with songwriting. It isn’t an end in itself. That’s part of why these songs have the air of music that will last, maybe not for pop-music historians, but for listeners, for music fans.
1. The Lucksmiths – First Frost
I can think of no other band that writes melodic pop songs as articulate about everyday life scenarios—cities, the weather, wasting time, interactions between friends and lovers—as the Lucksmiths, and they keep getting better at it as the years pass. What’s more, their music is getting more attractive to the ears. Each of their last three albums has represented a strengthening and filling-out of their sound. First Frost is touched by driving rock, stately folk, tender soul, and a blast of noise, even. And all the while this sounds like the Lucksmiths we know and love. Within these songs people travel, get drunk, grow together and grow apart. None of the stories are unnecessarily over-dramatic, but rather thoughtful, detailed, and recognizable. That real-life familiarity may be why their albums are so easy to listen to over and over again, to live with…
I agree with the number one pick, they do sound like the Smiths and make for perfect summer, rainy day nodding, give Good light and California popular song a try.
But pick a number between 2 to 10 and insert the latest Stereolab…or you can just see what else Pop matters have to say.